• Le Corbuffet Editions (2025)
  • Le Corbuffet (Artist's Book) (2015-2019)
  • ESTHER M CHOI
  • About
  • •
  • Selected Works:
  • Blind Field (2024–ongoing)
  • Liquid Modernity (2023–2024)
  • Modern Societies (2021)
  • Two Incompatible Systems (2019)
  • Succession (2011)
  • New Brutalism (2010)
  • Second Skin (2006)
  • The White Maze (2004-2007)
  • Continuous Structures (2007)
  • Equivalents (2006)
  • Gemini (2006)
  • •
  • Selected Writing:
  • Perspecta (2024)
  • Harvard Design Magazine (2023)
  • PIN-UP (2022)
  • Deem (2021)
  • E-flux Architecture (2021)
  • Radical Pedagogies (2020)
  • Sustainability's Image Problem (2019)
  • Reaper (2017)
  • Hippie Modernism Interviews (2015)
  • PIN-UP (2015)
  • Artforum (2015)
  • Hippie Modernism (2015)
ESTHER M CHOI
About
•
Selected Works:
Le Corbuffet Editions (2025)
Blind Field (2024–ongoing)
Liquid Modernity (2023–2024)
Modern Societies (2021)
Le Corbuffet (Artist's Book) (2015-2019)
Two Incompatible Systems (2019)
New Brutalism (2010)
Succession (2011)
The White Maze (2004-2007)
Second Skin (2006)
Continuous Structures (2007)
Equivalents (2006)
Gemini (2006)
•
Selected Writing:
Perspecta (2024)
Harvard Design Magazine (2023)
PIN-UP (2022)
Deem (2021)
E-flux Architecture (2021)
Radical Pedagogies (2020)
Sustainability's Image Problem (2019)
Reaper (2017)
Artforum (2015)
Hippie Modernism (2015)
Hippie Modernism Interviews (2015)
PIN-UP (2015)
As part of an ongoing interest in postnatural materials, Second Skin was created by photographing a sample of artificial animal fur in numerous arrangements with a large format camera. These images were subsequently digitally "hand woven" to create a large-scale, seamless, non-repeating surface.
Second Skin, 2006.
Chromogenic Print, 84 x 48 in. (49.5 x 85.5 in. framed)
Edition of 3, 2 AP
Second Skin [detail], 2006.
Chromogenic Print, 84 x 48 in. (49.5 x 85.5 in. framed)
Second Skin, 2006.
Chromogenic Print, 84 x 48 in. (49.5 x 85.5 in. framed)
Edition of 3, 2 AP
As part of an ongoing interest in postnatural materials, Second Skin was created by photographing a sample of artificial animal fur in numerous arrangements with a large format camera. These images were subsequently digitally "hand woven" to create a large-scale, seamless, non-repeating surface.
Second Skin, 2006.
Chromogenic Print, 84 x 48 in. (49.5 x 85.5 in. framed)
Edition of 3, 2 AP
Second Skin [detail], 2006.
Chromogenic Print, 84 x 48 in. (49.5 x 85.5 in. framed)
Second Skin, 2006.
Chromogenic Print, 84 x 48 in. (49.5 x 85.5 in. framed)
Edition of 3, 2 AP