Esther Choi is a multidisciplinary artist and writer based in New York.
June 24, 2022
Esther contributed to the "Keywords" section of the newest issue of PIN-UP Magazine.
Modern Societies
2021
Texas State Galleries (Jan. 19–April 11, 2021)
Single-channel video installation
Office Hours
2020
World Wide Web
Social practice
Der Mensch
2020
Selections from Der Mensch/ Man, Gallery 103, University of Tennessee Knoxville, (Jan. 27-Feb. 21, 2020).
Pigment prints
Afterlife
2020
n/a
Rubber, Foam, Synthetic rope, Plywood with stain
Le Corbuffet
2019
Brooklyn, New York
Artist’s Book, Social Sculpture, Chromogenic prints
Declines
2019
St. Philip, Barbados
Video, Single channel projection. Color. Sound. 8:40 min. 2019
New Brutalism
2010
Radiator Gallery, Long Island, NY; Camera Club of New York, New York, NY; Angell Gallery, Toronto, ON
Chromogenic prints
Succession
2011
Private Collection
Pigment print
Sketches and Drawings of Equivalent Systems
2007
Espace 528, Montreal, QC, Canada
Pigment prints
Continuous Structures
2007
Espace 528, Montreal, QC, Canada
Video installation
Topologies
2008
Variable
Digital c-print on satin, cotton insert with polyester filling
Equivalents (Parallel Lines)
2007
Leonard and Bina Ellen Gallery, Montreal, QC; Elektra Festival International Arts Numériques, Montreal, QC
Two-channel video installation
Gemini
2006
Bourget Gallery, Montreal, QC, Canada
Two-channel video installation
Second Skin
2006
Galerie Thérèse Dion, Montréal, QC; FOFA Gallery, Concordia University, Montréal, QC
Chromogenic print
The White Maze
2005
Harvard Graduate School of Design, Cambridge, MA; Galerie Thérèse Dion, Montréal, QC; Private collection
Photographic Installation, Chromogenic print, Models
The Interpretation
2021
E-flux Architecture & ArkDes
1346 words
Sustainability's Image Problem
2019
Library Stack for Oslo Architecture Triennale
4470 words
You're Not the Boss of Me Now
2017
E-flux
Amica Dall, Joseph Halligan
Architecture Is All Over
2017
Columbia Books on Architecture and the City
288pp. 6.5 × 9.25" 2017
The Crisis of the Crisis
2017
Architecture Is All Over
1800 words
Disorderly Conduct
2017
SSENSE
1787 words
Second Lives
2017
Reaper: Richard Hamilton, Sigfried Giedion
4987 words
Insides and Outsides: The Other Architect
2017
The Journal of Architectural Education
2082 words
User Experience: A Prehistoric Cave for Millennials
2017
SSENSE
1532 words
A Conversation with MOS Architects
2016
PIN UP Magazine
Hilary Sample, Michael Meredith
Atmospheres of Institutional Critique: Haus-Rucker-Co's Pneumatic Temporality
2015
Hippie Modernism: The Struggle for Utopia. Edited by Andrew Blauvelt
6449 words
On Covers, Connections, and Criticality: Interview with Günter Zamp Kelp of Haus-Rucker-Co, 2015
2015
Hippie Modernism: The Struggle for Utopia. Edited by Andrew Blauvelt.
Günter Zamp Kelp
Unspeakable Signs: An Interview with ONYX
2015
Hippie Modernism: The Struggle for Utopia
Woodson Rainey, Ron Williams
Sociable Realism
2015
Artforum
1341 words
Natural Disasters: On Young and Giroux’s Infrastructure Canada
2015
Into the Wild. Edited by Caitlin Sutherland
699 words
Photographic Architecture in the Twentieth Century by Claire Zimmerman
2015
Art Papers
1502 words
Art Post-Internet: A Questionnaire
2014
Art Post-Internet
912 words
Radical Pedagogies in Architectural Education
2012
Architectural Review
2164 words
Airtight: A Conversation with Philippe Rahm
2010
Architecture At the Edge of Everything Else
Philippe Rahm
Architecture At the Edge of Everything Else
2010
MIT Press
218 pp., 6.75 x 9.375 in